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The worst which has been thought and said? Defining popular culture

E. Taylor Atkins

E. Taylor Atkins is Presidential Teaching Professor of History at Northern Illinois University, USA. He is the author of Blue Nippon: Authenticating Jazz in Japan (2001), Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945 (2010), and editor of Jazz Planet (2003). Author affiliation details are correct at time of print publication.

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A History of Popular Culture in Japan : From the Seventeenth Century to the Present

Bloomsbury Academic, 2017

Book Chapter

1

... Burke, Popular Culture, 50–6; Anne E. McLaren, Chinese Popular Culture and Ming Chantefables (Leiden: Brill, 1998), 8–9; David G. Johnson, Andrew J. Nathan, and Evelyn S. Rawski, eds., Popular Culture in Late Imperial China (Berkeley:...

Delicate dancing—early modern Japan’s culture wars

E. Taylor Atkins

E. Taylor Atkins is Presidential Teaching Professor of History at Northern Illinois University, USA. He is the author of Blue Nippon: Authenticating Jazz in Japan (2001), Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945 (2010), and editor of Jazz Planet (2003). Author affiliation details are correct at time of print publication.

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A History of Popular Culture in Japan : From the Seventeenth Century to the Present

Bloomsbury Academic, 2017

Book Chapter

1

...In 1804, renowned ukiyo-e artist Kitagawa Utamaro, master painter of bijinga (pictures of beautiful women), was imprisoned and then sentenced to fifty days of house arrest, in manacles. His publisher was fined. Utamaro was charged...

“Our spirit against their steel”—mobilizing culture for war

E. Taylor Atkins

E. Taylor Atkins is Presidential Teaching Professor of History at Northern Illinois University, USA. He is the author of Blue Nippon: Authenticating Jazz in Japan (2001), Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945 (2010), and editor of Jazz Planet (2003). Author affiliation details are correct at time of print publication.

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A History of Popular Culture in Japan : From the Seventeenth Century to the Present

Bloomsbury Academic, 2017

Book Chapter

1

... (ifuku, jūtaku, kokugo),” Chōsen 344 (January 1944): 65–8. “The colonizers saw both merit and harm in the verbal artistry of p’ansori and ch’anggŭk,” p’ansori scholar/performer Chan E. Park concludes. “It offered effective deliverance...

Floating worlds—the birth of popular culture in Japan

E. Taylor Atkins

E. Taylor Atkins is Presidential Teaching Professor of History at Northern Illinois University, USA. He is the author of Blue Nippon: Authenticating Jazz in Japan (2001), Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945 (2010), and editor of Jazz Planet (2003). Author affiliation details are correct at time of print publication.

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A History of Popular Culture in Japan : From the Seventeenth Century to the Present

Bloomsbury Academic, 2017

Book Chapter

1

... No objection shall be raised with regard to their former affiliations with other lords.Quoted in David J. Lu, Japan: A Documentary History (Armonk, NY: M. E. Sharpe, 1997), 189. Most provincial castle towns were of modest size, but the small...

Entertaining empire—popular culture as a “technology of imperialism”

E. Taylor Atkins

E. Taylor Atkins is Presidential Teaching Professor of History at Northern Illinois University, USA. He is the author of Blue Nippon: Authenticating Jazz in Japan (2001), Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945 (2010), and editor of Jazz Planet (2003). Author affiliation details are correct at time of print publication.

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A History of Popular Culture in Japan : From the Seventeenth Century to the Present

Bloomsbury Academic, 2017

Book Chapter

3

... The Tale of Ch’unhyang in the Japanese Empire,” Journal of Asian Studies 73, no. 1 (February 2014): 113–41; E. Taylor Atkins, Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910–1945 (Berkeley: University of California Press, 2010),...

Millennial Japan as dream factory

E. Taylor Atkins

E. Taylor Atkins is Presidential Teaching Professor of History at Northern Illinois University, USA. He is the author of Blue Nippon: Authenticating Jazz in Japan (2001), Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945 (2010), and editor of Jazz Planet (2003). Author affiliation details are correct at time of print publication.

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A History of Popular Culture in Japan : From the Seventeenth Century to the Present

Bloomsbury Academic, 2017

Book Chapter

1

... accurately.Max Eddy, “Cosplayers Speak Out on Racism in the Fandom,” PC Magazine, October 13, 2013, http://www.pcmag.com/article2/0,2817,2425583,00.asp; E. Ortiz, “The Face of Cosplay: Racism & Cosplayers of Color,” Nerd Caliber,...

Introduction

E. Taylor Atkins

E. Taylor Atkins is Presidential Teaching Professor of History at Northern Illinois University, USA. He is the author of Blue Nippon: Authenticating Jazz in Japan (2001), Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945 (2010), and editor of Jazz Planet (2003). Author affiliation details are correct at time of print publication.

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A History of Popular Culture in Japan : From the Seventeenth Century to the Present

Bloomsbury Academic, 2017

Book Chapter

1

... autonomy; era of classical literature (e.g., Tale of Genji) written by female courtiers Kamakura 1192–1333 First government administered by military shōgun appointed by imperial court and located in Kamakura; administration of provinces...

Democracy, monstrosity, and pensive prosperity—postwar pop

E. Taylor Atkins

E. Taylor Atkins is Presidential Teaching Professor of History at Northern Illinois University, USA. He is the author of Blue Nippon: Authenticating Jazz in Japan (2001), Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945 (2010), and editor of Jazz Planet (2003). Author affiliation details are correct at time of print publication.

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A History of Popular Culture in Japan : From the Seventeenth Century to the Present

Bloomsbury Academic, 2017

Book Chapter

1

... http://io9.gizmodo.com/the-effects-of-japans-1955-poison-milk-coverup-persist-1684903422; Joe Moore, The Other Japan: Conflict, Compromise, and Resistance since 1945, new ed. (Armonk: M. E. Sharpe, 1997); and W. Thomas Uemura, Organizing the Spontaneous: Citizen Protest in Postwar...

Afterword: Contemplating cool

E. Taylor Atkins

E. Taylor Atkins is Presidential Teaching Professor of History at Northern Illinois University, USA. He is the author of Blue Nippon: Authenticating Jazz in Japan (2001), Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945 (2010), and editor of Jazz Planet (2003). Author affiliation details are correct at time of print publication.

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A History of Popular Culture in Japan : From the Seventeenth Century to the Present

Bloomsbury Academic, 2017

Book Chapter

0

...Cuteness. Apocalypse. Exoticism. Technotopia. “Weirdo Porn That Makes People Puke.” What makes Cool Japan cool? Some say it is the result of brilliant marketing and crossover strategies developed, implemented, and improved in tandem...

Cultural living—cosmopolitan modernism in imperial Japan

E. Taylor Atkins

E. Taylor Atkins is Presidential Teaching Professor of History at Northern Illinois University, USA. He is the author of Blue Nippon: Authenticating Jazz in Japan (2001), Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945 (2010), and editor of Jazz Planet (2003). Author affiliation details are correct at time of print publication.

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A History of Popular Culture in Japan : From the Seventeenth Century to the Present

Bloomsbury Academic, 2017

Book Chapter

2

... composers, arrangers, and performers took full advantage.E. Thomas Atkins, “The Dual Career of ‘Arirang’: The Korean Resistance Anthem That Became a Japanese Pop Hit,” Journal of Asian Studies 66, no. 3 (August 2007): 658. Although some musicians...